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Membership level
Electronic Access Only - Regular Member
Optional: Please list your publications below
Books and Editorial Contributions
Performing the Remembered Present: The Cognition of Memory in Dance, Theatre, and Music. With editorial contribution by Bettina Blaesing. London: Methuen, 2017. Forthcoming.
Dance Dramaturgy: Modes of Agency, Awareness, and Engagement. Co-editor: Darcey Callison. Basingstoke: Palgrave, 2015.
Canadian Theatre Review (CTR) 155 on Dance and Movement Dramaturgy. Co-editors: Darcey Callison, Jacob Zimmer, and Bruce Barton (Summer 2013).
CTR 145 on Memory. Co-editor: Bruce Barton (Winter 2011).

Selected Book Chapters
“Dramaturgical Agency in Dance.” Contemporary Choreography. 2nd Edition. Ed. Jo Butterworth and Liesbeth Wildschut. London: Routledge, 2017. Forthcoming.
“Introduction.” Performing the Remembered Present: The Cognition of Memory in Dance, Theatre, and Music. With editorial contribution by Bettina Blaesing. London: Methuen, 2017. Forthcoming.
“Research-Based Practice: Facilitating Transfer across Artistic, Scholarly, and Scientific Inquiries.” Performance as Research: Knowledge, Methods, Impact. Ed. Annette Arlander, Bruce Barton, Melanie Dreyer-Lude, and Ben Spatz. London: Routledge, 2017. Forthcoming.
“Risking Intimacy: Strategies of Vulnerability in Vertical City’s Trace.” Bruce Barton is principal author. Risky Aesthetics. Ed. Alice O’Grady. Basingstoke: Palgrave, 2017. Forthcoming.
"The Perceptual Dramaturgy of Swimmer (68).” Stage/Page/Play: Interdisciplinary Approaches to Theatre and Theatricality. Ed. Ulla Kallenbach and Anna Lavaetz. Copenhagen: Multivers, 2016. 124-140.
“The Dramaturgy of Performance Generating Systems.” Dance Dramaturgy: Modes of Agency, Awareness, and Engagement. Ed. Pil Hansen and Darcey Callison. Basingstoke: Palgrave, 2015. 124-142.

Selected Articles
“An Earned Presence: Studying the Effect of Multi-task Improvisation Systems on Cognitive Learning Capacity.” Robert Oxoby is secondary author. Connection Science (March 2017). 8500 words. Accepted, forthcoming.
“The Adaptability of Language-Motor Connections in Dance and Acting: A Coordination Dynamics Experiment.” MAPA D2 Danca Digital 4 (June 2016): 82-92.
“Scoring the Generating Principles of Performance Systems.” With contributions by Christopher House. Performance Research on An/Notation 20.6 (Winter 2015): 65-73.
“Self-organization and Transition in Systems of Dance Generation.” With contributions by Karen Kaeja and Ame Henderson. Performance Research: On Turbulence 19.5 (October 2014): 23-33.
“Dancing Performance Generating Systems.” Theatre Topics: On Dramaturgy 24.3 (2014): 255-260.
“From Spectrum to Prism: Shifting Positions on Dance Dramaturgy – a conference response and summary.” CTR 155 (Summer 2013): 21-24.
“Research-Based Practice: Situating Vertical City between Artistic Development and Applied Cognitive Science.” Co-authored with Bruce Barton. TDR: The Drama Review 53.4 (2009): 120-136.
 Congress on Research in Dance  Emailinfo@cordance.org
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